Timm Ulrichs

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Exhibition view 'Timm Ulrichs: Vorspiel – Nachspiel', Sammlung Philara, Düsseldorf, Germany, 2021,
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Exhibition view 'Timm Ulrichs: Vorspiel – Nachspiel', Sammlung Philara, Düsseldorf, Germany, 2021,
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Exhibition view 'Timm Ulrichs: Vorspiel – Nachspiel', Sammlung Philara, Düsseldorf, Germany, 2021,
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Exhibition view 'Timm Ulrichs: Vorspiel – Nachspiel', Sammlung Philara, Düsseldorf, Germany, 2021,
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2017<br />
Exhibtion view 'Die Welt im Wohnzimmer`, WENTRUP, Berlin, Germany, 2017,
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2017<br />
Exhibtion view 'Die Welt im Wohnzimmer`, WENTRUP, Berlin, Germany, 2017,
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<i>Außer Atmen (Breathless)</i>, 1989/95/96<br />
7 kinetic rocking chairs,
Video by Trevor Good<br />
Exhibtion view 'Die Welt im Wohnzimmer`, WENTRUP, Berlin, Germany, 2017

2017<br />
Exhibtion view 'Die Welt im Wohnzimmer`, WENTRUP, Berlin, Germany, 2017,
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<i>Versteinerter Himmel XVIII</i>,
1983/2015<br />
Marble, concrete cobblestone, MDF,
60 x 60 x 15 cm<br />

<i>Versteinerter Himmel XXIII</i>,
1983/2015<br />
Marble, MDF, concrete cobblestone,
60 x 60 x 15 cm<br />

<i>Versteinerter Himmel XVII, (Petrified Sky XVII)</i>,
1983/2015<br />
Granite, marble, MDF, concrete cobblestone,
60 x 60 x 15 cm<br />

<i>Versteinerter Himmel XV, (Petrified Sky XV)</i>,
1983/2015<br />
Granite, marble, MDF, concrete cobblestone,
60 x 60 x 15 cm<br />

<i>Die Welt im Wohnzimmer: Das Fernsehgerät als Sockel und Hausaltar (The World at Home. The TV as plinth and house altar)</i>,
2001/09<br />
Series of 50 color photographies,
52 x 52 cm<br />

<i>Die Welt im Wohnzimmer: Das Fernsehgerät als Sockel und Hausaltar (The World at Home. The TV as plinth and house altar)</i>,
2001/2009<br />
Series of 50 color photographies,
52 x 52 cm<br />
Detail

<i>Die Welt im Wohnzimmer: Das Fernsehgerät als Sockel und Hausaltar (The World at Home. The TV as plinth and house altar)</i>,
2001/09<br />
Series of 50 color photographies,
52 x 52 cm<br />
Detail

<i>Die Welt im Wohnzimmer: Das Fernsehgerät als Sockel und Hausaltar (The World at Home. The TV as plinth and house altar)</i>,
2001/09<br />
Series of 50 color photographies,
52 x 52 cm<br />
Detail

<i>wachsender Stein (growing stone)</i>,
2008/2012<br />
quartzite, bronze,
dimensions variable<br />
photo: H. Felix Gross

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<i>Rekonstruktionen (resconstructions)</i>,
1988/1994<br />
pug, plaster, wood,
18 x ø 19,5 cm (flowerpot), 22,8 x 100 x 22 cm (shelves)<br />

<i>Form und Inhalt (15 x 1 Liter) (form and content)</i>,
1982/1992<br />
plaster, wood, photo,
9 – 28,5 cm high (flower vases), 15 x 10 cm (photos), 19,8 x 120 x 19,8 cm (shelves)<br />

<i>Walter Benjamin:

, 1967
wooden frame, black and white, photo copy, 29,7 x 21 cm (each of 100 pieces)
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<i>Trog, sich selbst beinhaltend</i>,
1969/75<br />
Sandstone,
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<i>mit Dusche, Ein-Linien-Raumzeichnung als Wasserleitung</i>,
1986/2012<br />
copper tube, mixed media,
352 x 302 x 452 cm<br />
Installation view Wentrup, Berlin, Germany, 2012

<i>mit Dusche, Ein-Linien-Raumzeichnung als Wasserleitung</i>,
1986/2012<br />
copper tube, mixed media,
352 x 302 x 452 cm<br />
Installation view Middelheim Museum, Antwerp, Belgium, 2001

<i>Blinker II</i>,
2007<br />
Steel, mirror,
10 x 11.8 cm<br />
'Blinker II' is a kinectic light sculpture, consisting of a steelframe (1.000 x 1.183,5 cm) and 196 movable polished stainless steel mirrors (50 x 83 cm each)The singled mirrors, as well as the full mirrored screen ( 719,5 x 1.183,5 cm), equal the exact proportions of an conventional movie theater screen. The natural elements such as air and light, the sun and the wind, as well as the sky and earth, reflect on the screen to an atmospheric, playful natural spectacle of infinite diversity.

<i>Versunkenes Dorf</i>,
2004-06<br />
Concrete, plaster, paint,
16.7 m x 9 m x 18.4 m<br />
Sunken Village Replica of a church as part of a village that was completely destroyed for a designated pile of rubbish area.

<i>Tanzende Bäume</i>,
1997<br />
Trees, motor,
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Dancing Trees, 1997. Three birch trees activated by a sensor are “dancing”, ca 8 turns by minute.

<i>Gehäuse für Denkmäler und Brunnen, eine Ansiedlung von zwanzig Winter-Verkleidungen und -Ummantelungen</i>,
2000<br />
Casings for Monuments and Fountains, a Settling of 20 Winter-Coverings, Munich 2000,
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<i>Von null bis unendlich (from here to eternity)</i>, 1986<br />
Kinetic sculpture,
216 x 85 x 95 cm<br />

<i>Unendlich: Beschreibung des Himmels, Kondensstreifenaktion (description of heaven, action with condensation trail)</i>,
1986<br />
Photo,
124 x 124 cm<br />

<i>Der Findling

, 1978/80/2.-3.5.1981
Cibachrome colorprint, 100 x 100 cm
Foundling (performance). 10 hours in a closed stone">

<i>Denken Sie immer daran, mich zu vergessen! Timm Ulrichs, 31.3.1940, Grabstein</i>,
1969<br />
Chalk and dolomite,
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Always Remember To Forget Me! Timm Ulrichs, 3-30-1940, Gravestone

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Exhibition view Kustverein Hannover, Hanover, Germany, 2010,
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Exhibition view Kustverein Hannover, Hanover, Germany, 2010,
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Exhibition view Kustverein Hannover, Hanover, Germany, 2010,
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<i>San Gimignano</i>,
1983/86<br />
Tables, concrete cobblestone, installation,
80 x 800 x 450 cm<br />
Installation view Sprengel Museum Hannover, Hanover, Germany, 2010

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Installation view Sprengel Museum Hannover, Hanover, Germany, 2010,
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Installation view Sprengel Museum Hannover, Hanover, Germany, 2010,
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Installation view Sprengel Museum Hannover, Hanover, Germany, 2010,
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Exhibition view Kustverein Hannover, Hanover, Germany, 2010,
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Installation view Sprengel Museum Hannover, Hanover, Germany, 2010,
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<i>Kritik der reinen Vernunft - Kritik der praktischen Vernunft</i>,
1977/85<br />
wooden table, two books (Immanuel Kant “Kritik der reinen Vernunft”, Immanuel Kant “Kritik der praktischen Vernunft”),
75 x 75 x 50 cm<br />

<i>Landschafts-Epiphanie</i>,
1972/1987<br />
Cibachrome colorprint transparency in lightbox plus framed filmstrip,
80 x 100 x 10 cm<br />

<i>Der erste sitzende Stuhl (nach langem Stehen sich zur Ruhe setzend)</i>,
1970<br />
Painted wood,
90 x 45 x 45 cm<br />

<i>Der erste sitzende Stuhl (nach langem Stehen sich zur Ruhe setzend)</i>,
2013<br />
Installation view Kunstmuseum Wolfsburg, Wolfsburg, Germany,
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<i>Landschafts-Epiphanie</i>,
1972/1987<br />
Cibachrome colorprint transparency in lightbox plus framed filmstrip,
80 x 100 x 10 cm<br />

<i>Landschafts-Epiphanie</i>,
1972/1987<br />
Cibachrome colorprint transparency in lightbox plus framed filmstrip,
80 x 100 x 10 cm<br />

<i>Landschafts-Epiphanie</i>,
1972/1987<br />
Cibachrome colorprint transparency in lightbox plus framed filmstrip,
80 x 100 x 10 cm<br />

<i>Landschafts-Epiphanie</i>,
1972/1987<br />
Cibachrome colorprint transparency in lightbox plus framed filmstrip,
80 x 100 x 10 cm<br />

<i>Ich kann keine Kunst mehr sehen!</i>,
1975<br />

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Demonstration as ‘sandwich-man’ with blindman’s stick and courtesy armband for the visually impaired at ‘Internationaler Kunstmarkt Köln, 1975.

<i>Timm Ulrichs, den Blitz auf sich lenkend</i>,
1977<br />
photo,
120 x 80 cm<br />

<i>Installation view Wentrup, Berlin, Germany</i>,
2010<br />
Photo,
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<i>Installation view Wentrup, Berlin, Germany</i>,
2010<br />

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<i>Von der Blindheit der Bilder (I): In Betrachtung des weißen Fleckes (About The Blindness of Pictures (I): Viewing The Blank Areas)</i>,
1981<br />
Photo,
17 x 23 cm<br />

<i>Timm Ulrichs, ein Bild herstellend und ausstellend (5-8)</i>,
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7 black /white photographs on canvas, one white painted canvas with sticky letters,
102 x 102 cm<br />
How to Make a Painting (1967/73)

<i>Haut-Film</i>,
1966/1969<br />
photogram, black white photography,
100 x 100 cm<br />
tanning of human skin as a cinematic prozess

<i>Kunstdiebstahl als Totalkunst-Demonstration</i>,
1961<br />
Art Burglary as ‘Totalkunst’-Demonstration, 1969 (Advertisment) / 1970 (Form) / 1971 (Action), 4 black/white photographs,
each 50,2 x 50,2 cm, and 2 copies of the form and textsheet, each 21 x 29,7 cm as documentation of the action on 11/08/1971 in the Brusberg gallery, Hannover.<br />

<i>Ego-zentrischer Steinkreis: Steine in Wurfweite</i>,
1977<br />

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Ego-centric stone circle: stones in throwing range, Illhorn-Neuenkirchen

<i>Dieses Buch habe ich gelesen - Dieses Buch habe ich nicht gelesen</i>,
1970<br />

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This book I have read – this book I haven’t read. 2 copies of the book Tractatus logico-philosophicus. Logisch-Philosophische Abhandlung by Ludwig Wittgenstein. Before” and after: explaining the identical and the similar, or “content” (the text) and “form” (the book)

<i>Timm Ulrichs als menschliche Zielscheibe /Timm Ulrichs as a human target</i>,
1971/1974<br />
tattooing performance and documentation material, wooden case, acrylglass window, paper, ink, tattooing needle, black white photography, muslin bandage,
25.5 x 40 x 7 cm<br />

<i>Fundbüro - Galerie der Objets trouvés</i>,
1970/74<br />
Lost and Found – Gallery of Objets Trouvés,
58 x 113 x 58 cm<br />

<i>Concrete Poetry (Beton Buch)</i>,
1972/1977<br />
concrete,
30 x 25 x 6.5 cm<br />

<i>Timm Ulrichs, first living work of art (exhibiting himself)</i>,
1961<br />

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<i>Im Sockel - vom Sockel</i>,
1981/90<br />
Bronze cast of the artists body with two MDF plinth,
185 x 50 x 50 cm (each)<br />

<i>Timm Ulrichs Messerwurf-Porträt</i>,
1978/1991<br />
90 stainless steel throwing knifes, wooden tablet,
200 x 100 cm<br />
A performance for Timm Ulrichs exhibition opening at Kunsthalle Recklinghausen in 1991. The knife were thrown by Jonny King.

<i>Kesseltreiben</i>,
1963<br />
16 kettles, aluminium, stainless steel, sheetiron,
Ø 200 cm<br />
catcalls and flute concerto

<i>Ceci nést pas une pipe de Magritte</i>,
1968<br />
wooden case, reproduction of Magrittes painting La trahison des images (Ceci nést pas une pipe), pipe,
6 x 17 x 12 cm<br />

<i>Papier-Flut</i>,
1967/1994<br />
paper, shredder, table,
245 x 365 x220 cm<br />
happening-deconstruction-poetry (Aktions-Dekonstruktions-Poesie)

<i>Das literarische Gesamtwerk 1968, Band I</i>,
1968<br />
typewriter tape, acrylglas case,
1.3 x 1000 cm (tape), 25 x 25 x 25 cm (case)<br />

<i>Serielles Raster-Bild</i>,
1962/63<br />
silkscreen,
103 x 103 cm<br />

<i>Erdachse M. 1:1000000</i>,
1997<br />
granite,
1765 x 1051 cm (stage), 1271 cm length (pillar), 30 x Ø 250 cm (plate)<br />
Installation view station square Magdeburg, Germany, 1997

<i>Raum-Koordinaten-Raum</i>,
1973/75<br />
paint, adhesive foil,
dimensions variable<br />
installation view LWL – Landesmuseum für Kunst und Kultur, Münster, Germany, 1975